I remember this. Has it been ten years already?
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I’m getting into open mics again, partly to prepare for the epic 2-hour show I’m doing in Union, WA in three weeks — not to mention Toorcamp the week after — and partly because it’s fun and you get to meet strangers. I played Shadowland in West Seattle last night, and Molly Maguire’s pub last Monday. I’m going to keep this going: Seamonster Lounge next Monday, Hopvine or Skylark the next Wednesday after. Let’s hang out.
If you’re into open mics this page is priceless: openmikes.org. It lists open mics all over the country. Many thanks to Paul Roub for setting it up. You used to have to look in a newspaper. One for every city. Stacks of them. So wasteful. Life has never been easier.
This is an old song (~11 years) and old recording (~4 years) but a new mix. I’m never quite satisfied with the mixes I do of this song, but this one is pretty good with headphones. I’ll keep at it.
In other news, I set up a Facebook page for Sun Tunnels. Come on and like me. The Facebook corporation will use the fact that you like me to display personalized ads for related goods and services. I wonder what they’ll try to sell you? What says “Sun Tunnels?” Deodorant? Major appliances? I can’t wait to find out.
Hi there, check out this demo:
It’s the first finished song for an album concept I’m working on and the first thing I’ve published on SoundCloud.
I’ve been shilling SoundCloud to my friends a lot lately because I’m so impressed with it. When I first heard about SC I tried to ignore it — I figured it was yet another way to do music stuff on the web, among hundreds, probably to be short-lived, and didn’t want to bother with it. It’s a couple of years later now so I’m late to the game, but after trying it out I think it’s great. The interface is intuitive, a bit crowded with some redundant elements but still easy to use. I like that you can keep tracks private and share them with other SC users (or email a link to someone outside SC) before you make them public. I like how it keeps stats and gives you lots of options for downloads vs. streaming, etc. The iPhone app is very good.
Their dashboard “stream” is interesting philosophically — you see new tracks by the people you befriend as they share them. It’s like the old days of trading CDRs or tapes, only instant, less tactile, and more single-oriented as opposed to collections of related songs. So, it tracks with how music is now experienced in the mp3 age, which makes sense. People go back and forth as to whether that’s good or not, but in any case their developers have done a great job and I like it.